The SubLunar Community Arts Society is a not-for-profit registered under the B.C. Societies Act.

We are lead by a board of directors elected yearly at our Annual General Meeting (AGM)

Our Current leadership consists of the following Board members:

Octavian Cadabeschi – Board Chair

A long time activist and community organizer. Octavian has deep ties to the labour movement in Canada and the United States, and has been involved in social justice activism through everything from the Occupy Wall Street movement, Housing activism, Environmentalism, Student organizing, immigrants’ rights, and fighting against racism.

In the arts, Octavian has been organizing and promoting electronic music events for over twenty years and has a passion for building interactive installation art projects.

Lukas Klinkera – Vice-Chair

An independent business’ person and inventor, Lukas Klinkera runs several startup-business’ including Klink Sound, a company that provides audio equipment and management services to BC’s Film and Entertainment sectors, and Klinkera Technologies Ltd., a tech company developing a sound and light therapy procedure that promises to revolutionize the North American wellness industry.

Mckechnie, Tara – Board Memeber

A visual artist and longtime frontline worker in Vancouver’s Downtown East Side, Tara is committed to social justice and is a long-time advocate for people with mental health and addiction issues, and people living in poverty.

Tara’s artistic focus includes drawing, painting and the production of print-media and zines.

Josi Gabriel Spencer – Board Member

Josi is an incredibly talented musician, and Singer-songwriter proficient with multiple instruments and dabbling in electronic music production.

She has over 10 years of experience working as a councilor with at-risk populations, and is currently focused on developing a practice focused on Music Therapy.

Miki Aurora – Board Member

A prominent mixed-media artist in Vancouver, Miki Aurora works in moving image media, performance, mixed media, installation and immersive environments. Her production process is motivated by a drive for social sculpture, and Mikki uses her works as vehicles for revealing the macrocosmic in the microcosmic.

Her work primarily focuses on cyberfeminism (in a sense of the term meant also to connote the zeitgeist of a hypermediatized, Ballardian society), utopias, psycho-geography, the politics of beauty (as it applies to human bodies and also the environments we create), female tragedies and archetypes, and the occultic implications and applications of all of these.